[BT/LMA] moe. 11/10/98 Vogue Theatre, Indianapolis, IN B&K 4011>V2>AD1K 16 bit 48khz (new source to circulation) #4EV

http://bt.etree.org/details.php?id=600413

https://archive.org/details/moe1998-11-10.bk.4011.flac16

moe.
11/10/1998
Vogue Theatre
Indianapolis, IN

**16 bit/48khz**

Source: B&K 4011 > Lunatec V2 > Apogee AD1000 (48 khz)
Config/Location:
Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>
Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>
xACT 2.45(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )
Taped by: Bill Gardner
DAT from the collection of: Eric Vandercar (ericv) #4EV
Transferred and seeded by: Lenny Stubbe

Set I: (1:35:47)

01. intro
02. Timmy Tucker
03. She Sends Me
04. 32 Things
05. Hi and Low
06. Again and Again
07. Seat Of My Pants>
08. Sensory Deprivation Bank

Set II: (1:33:20)

01. intro
02. Time Again
03. Moth
04. Tambourine
05. Yodelittle>
06. Buster

07. encore break
08. Don’t Fear The Reaper


Notes:
- Seat Of My Pants features an X-Files theme tease
- Time Again features al on mandolin
- During Yodelittle, Chuck and Amy Ross play on Sony Playstation on overhead screen. (Amy won most of the matches)
- Strangefolk opened
- Thanks to moelinks.com for the setlist information

Seeded to etree on:

07/22/2018

This recording is posted in loving memory of our friend Eric Vandercar, whose passion was to share his love of music with the world.
All thanks to go his wife Jill for opening up his archives and allowing us to share these wonderful recordings from his collection with you!

If you find that listening to this recording has added something positive to your life,
please consider making a donation in Eric's name to http://therootsofmusic.org,
a charity that Eric supported and empowers the youth of New Orleans through music education. #4EV

[BT/LMA] Umphrey's McGee 06/28/218 Canalside, Buffalo NY DPA 4023>Sonosax>722 split at FOH *16 & 24 bit*

http://bt.etree.org/details.php?id=600412

https://archive.org/details/um2018-06-28.dpa.4023.split.flac16

Umphrey’s McGee
06/28/2018
Canalside
Buffalo, NY

**16 bit**

Source: DPA 4023>Audio Magic Hyper Conductors>Sonosax SX-M2>Sound Devices 722 (24/48)
Config/Location: Split 15’ PAS/FOH/DFC 11’ high
Transfer: 722>Firewire>Macbook>
Sound Studio 3.6(fades, normalize peak, +gain, track)>
Wave Editor 1.5.7 (iZotope Resampler/MBIT+ Dither)>
xACT 2.45(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )
Taped and Transferred by: Lenny Stubbe

Set I: (1:11:48)

01. Catshot>
02. Attachments>
03. The Fussy Dutchman
04. Ringo
05. Push and Pull
06. Prowler>
07. 2nd Self
08. Speak Up>
09. Wizard Burial Ground

Set II: (1:25:42)

01. Triangle Tear
02. Wappy Sprayberry>
03. Hurt Bird Bath
04. Booth Love>
05. Resolution>
06. Much Obliged>
07. Hollywood Nights

08. encore break
09. Puppet String

Notes:
- Booth Love includes Close Encounters of the Third Kind theme tease
- Resolution includes a Norwegian Wood jam
- Downtown Buffalo Canalside summer concert series
- Thanks to UM FOH Chris Mitchell for the accommodations to run splits and always looking out for his tapers
- This was my first time ever running 24 bit 48 khz.

Seeded to etree on:

07/22/2018

https://archive.org/details/um2018-06-28.dpa.4023.split.flac24

Umphrey’s McGee
06/28/2018
Canalside
Buffalo, NY

**24 bit**

Source: DPA 4023>Audio Magic Hyper Conductors>Sonosax SX-M2>Sound Devices 722 (24/48)
Config/Location: Split 15’ PAS/FOH/DFC 11’ high
Transfer: 722>Firewire>Macbook>
Sound Studio 3.6(fades, normalize peak, +gain, track)>
xACT 2.45(encode, tag, fingerprint)>flac24 (level 8 )
Taped and Transferred by: Lenny Stubbe

Set I: (1:11:48)

01. Catshot>
02. Attachments>
03. The Fussy Dutchman
04. Ringo
05. Push and Pull
06. Prowler>
07. 2nd Self
08. Speak Up>
09. Wizard Burial Ground

Set II: (1:25:42)

01. Triangle Tear
02. Wappy Sprayberry>
03. Hurt Bird Bath
04. Booth Love>
05. Resolution>
06. Much Obliged>
07. Hollywood Nights

08. encore break
09. Puppet String

Notes:
- Booth Love includes Close Encounters of the Third Kind theme tease
- Resolution includes a Norwegian Wood jam
- Downtown Buffalo Canalside summer concert series
- Thanks to UM FOH Chris Mitchell for the accommodations to run splits and always looking out for his tapers
- This was my first time ever running 24 bit 48 khz.

Seeded to etree on:

07/22/2018

[BT] Page and Plant 10/24/95 The Spectrum, Philadelphia, PA AKG 414>Oade Deluxe 16 bit 48khz (new source to circulation)

http://bt.etree.org/details.php?id=600346

Page and Plant
10/24/1995
The Spectrum
Philadelphia, PA

**16 bit/48khz**

Source: AKG 414b-ULS > Oade Deluxe > Technics SV-MD1 (48 khz)
Location: OTS behind the soundboard
Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>
Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>
xACT 2.44(encode, tag, fingerprint)>flac16 (level 8 )
Taped by: Dr. Stan Lobitz
Patch taped and DAT seed by: Craig Hillwig
Transferred and seeded by: Lenny Stubbe

One Set: (2:09:53)

01. Wanton Song
02. Bring it on Home
03. Heartbreaker
04. What is and What Should Never Be
05. No Quarter
06. That’s the Way
07. Nigel Eaton - Hurdy Gurdy
08. Gallows Pole
09. Since I’ve Been Loving You
10. The Song Remains the Same
11. Going to California
12. Babe I’m Gonna Leave You
13. Whole Lotta Love>medley>Whole Lotta Love
14. Dancing Days
15. In the Evening

Encore:
16. encore break
17. Black Dog
18. Kashmir

Notes:
- band intros after Since I’ve Been Loving You, The Song Remains The Same and Dancing Days
- Whole Lotta Love Medley includes When The Levee Breaks, Break On Through and Dazed and Confused
- This tour included an Official Tapers Section each night

Seeded to etree on:

07/16/2018

[BT/LMA] moe. 11/25/00 Roseland Ballroom, New York, NY B&K 4021>AD1K FOB 16 bit 44.1khz (new source to circulation) #4EV

http://bt.etree.org/details.php?id=598444

https://archive.org/details/moe2000-11-25.b.k.4021.flac16

moe.
11/25/2000
Roseland Ballroom
New York, NY

**16 bit/44.1khz**

Source: B&K 4021 > Apogee AD1000 > HHb PortaDAT (M) (44.1 khz)
Config/Location: PAS/FOB/DFC ~9-10’ stand
Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)>
Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>
xACT 2.44(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )
Taped by: Eric Vandercar (ericv) #4EV
Transferred and seeded by: Lenny Stubbe

Set I: (1:24:00)

01. intro
02. Spaz Medicine>
03. Rebubula
04. Understand
05. New York City
06. Waiting For The Punchline>
07. Recreational Chemistry

Set II: (1:35:37)

01. intro
02. St. Augustine
03. Gone
04. Captain America
05. Hi and Lo>
06. Brent Black>
07. Meat

08. encore break
09. One Way Out

**Meat clocks in at 31:27

Notes:
- This show features Kirk Juhas of freebeerandchicken on keyboards for the whole show
- Punchline and St. Augustine feature Jim on washboard
- Rec Chem and Meat feature Jim on bass
- sound quality on this one improves as the show goes on,
my estimation is Steve needed some time to dial it in and the B&K’s gave no forgiveness
- Thanks to moelinks.com for the setlist information

Seeded to etree on:

03/04/2018

This recording is posted in loving memory of our friend Eric Vandercar, whose passion was to share his love of music with the world.
All thanks to go his wife Jill for opening up his archives and allowing us to share these wonderful recordings from his collection with you!

If you find that listening to this recording has added something positive to your life,
please consider making a donation in Eric's name to http://therootsofmusic.org,
a charity that Eric supported and empowers the youth of New Orleans through music education. #4EV

[BT] Trey Anastasio solo acoustic 02/09/18 State Theatre, Ithaca, NY DPA 4023>Sonosax>722 *16 & 24 bit*

http://bt.etree.org/details.php?id=597952

Trey Anastasio solo acoustic
02/09/2018
State Theatre
Ithaca, NY

**16 bit**

Source: DPA 4023>Sonosax SX-M2>Sound Devices 722 (24/96)
Config/Location: ORTF/FOH/VSLDFC 4’extension pole from front row balcony lip
Transfer: 722>Firewire>Macbook>
Sound Studio 3.6(fades, normalize peak, +gain, track)>
Wave Editor 1.5.7 (iZotope Resampler/MBIT+ Dither)>
xACT 2.41(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )
Taped and Transferred by: Lenny Stubbe

One Set: (1:50:28)

01. intro
02. Prince Caspian
03. NICU
04. special place in Phish history story
05. Theme From the Bottom
06. playing for the door at The Haunt story/Mike isn’t allowed to drive story
07. Rise/Come Together
08. Ghost
09. Wedge
10. AC/DC Bag
11. Light
12. The Inlaw Josie Wales
13. Dog Faced Boy
14. Sleep
15. most medium Phish song story from Spin magazine
16. Ocelot
17. Summer Of 89
18. Twist
19. Sand
20. Fuego

21. encore break
22. Carini
23. Wilson

Notes:
- Summer of 89 starts with a dedication to Trey’s wife Sue and the coming anniversary of their first date 29 years ago
- Trey plays Sand by request of a sign up front, despite saying he’s “not sure how that’s gonna to work on this thing”
- after Sand, pleased with how it came out acoustically, Trey decided to try one of his “favorite Phish songs” that is “not built for an acoustic guitar”
on an audience in a ”forgiving mood”
- theme of non acoustic songs play continues with Trey giving a “what the hell” before Carini
- Wilson contains a Russell Wilson Super Bowl story
- Rise/Come Together, Light, Ocelot, Sand, Fuego were all solo acoustic debuts
- Thanks to Red Light Management for their extra efforts to allow space and access for tapers

Seeded to etree on:

02/10/2018

http://bt.etree.org/details.php?id=597951

Trey Anastasio solo acoustic
02/09/2018
State Theatre
Ithaca, NY

**24 bit**

Source: DPA 4023>Sonosax SX-M2>Sound Devices 722 (24/96)
Config/Location: ORTF/FOH/VSLDFC 4’extension pole from front row balcony lip
Transfer: 722>Firewire>Macbook>
Sound Studio 3.6(fades, normalize peak, +gain, track)>
xACT 2.41(encode, tag, fingerprint)>flac24 (level 8 )
Taped and Transferred by: Lenny Stubbe

One Set: (1:50:28)

01. intro
02. Prince Caspian
03. NICU
04. special place in Phish history story
05. Theme From the Bottom
06. playing for the door at The Haunt story/Mike isn’t allowed to drive story
07. Rise/Come Together
08. Ghost
09. Wedge
10. AC/DC Bag
11. Light
12. The Inlaw Josie Wales
13. Dog Faced Boy
14. Sleep
15. most medium Phish song story from Spin magazine
16. Ocelot
17. Summer Of 89
18. Twist
19. Sand
20. Fuego

21. encore break
22. Carini
23. Wilson

Notes:
- Summer of 89 starts with a dedication to Trey’s wife Sue and the coming anniversary of their first date 29 years ago
- Trey plays Sand by request of a sign up front, despite saying he’s “not sure how that’s gonna to work on this thing”
- after Sand, pleased with how it came out acoustically, Trey decided to try one of his “favorite Phish songs” that is “not built for an acoustic guitar”
on an audience in a ”forgiving mood”
- theme of non acoustic songs play continues with Trey giving a “what the hell” before Carini
- Wilson contains a Russell Wilson Super Bowl story
- Rise/Come Together, Light, Ocelot, Sand, Fuego were all solo acoustic debuts
- Thanks to Red Light Management for their extra efforts to allow space and access for tapers

Seeded to etree on:

02/10/2018