http://bt.etree.org/details.php?id=570788
https://archive.org/details/um2014-02-09.dpa.4023.flac16
Umphrey's McGee
02/09/2014
Harro East Ballroom
Rochester, NY
**16 bit**
Source: DPA 4023>EAA PSP-2>Sound Devices 722 (24/96)
Config/Location: DIN/FOH/SLOC 12' stand
Transfer: 722>Firewire>Macbook>
Sound Studio 3.6(fades, normalize peak, +gain, track)>
Wave Editor 1.5.7 (iZotope Resampler/MBIT+ Dither)>
xACT 2.25(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )
Taped and Transferred by: Lenny Stubbe
Set I: (1:03:36)
01. intro
02. Padgett's Progile
03. 2x2
04. Anchor Drops
05. Nemo>
06. Sweetness>
07. Nemo
08. Water
09. Smell the Mitten
Set II: (1:30:30)
01. intro
02. JaJunk>
03. Comma Later>
04. Space Funk Booty
05. Glide
06. Prowler>
07. 2nd Self
08. Dump City
09. Twilight Zone
10. encore break
11. Thin Air>
12. JaJunk
Notes:
- Sweetness with Nipple Trix jam
- Twilight Zone is a Golden Earring cover
- Thanks to McL once again for the guest list spot and to Umphrey's McGee for continuing to support the initiatives of tapers more than any touring band in the business. Go see them live, buy their music, bring a friend
Seeded to etree on:
02/27/2014
https://archive.org/details/um2014-02-09.dpa.4023.flac24
Umphrey's McGee
02/09/2014
Harro East Ballroom
Rochester, NY
**24 bit**
Source: DPA 4023>EAA PSP-2>Sound Devices 722 (24/96)
Config/Location: DIN/FOH/SLOC 12' stand
Transfer: 722>Firewire>Macbook>
Sound Studio 3.6(fades, normalize peak, +gain, track)>
xACT 2.25(encode, tag, fingerprint)>flac24 (level 8 )
Taped and Transferred by: Lenny Stubbe
Set I: (1:03:36)
01. intro
02. Padgett's Progile
03. 2x2
04. Anchor Drops
05. Nemo>
06. Sweetness>
07. Nemo
08. Water
09. Smell the Mitten
Set II: (1:30:30)
01. intro
02. JaJunk
03. Comma Later>
04. Space Funk Booty
05. Glide
06. Prowler>
07. 2nd Self
08. Dump City
09. Twilight Zone
10. encore break
11. Thin Air>
12. JaJunk
Notes:
- Sweetness with Nipple Trix jam
- Twilight Zone is a Golden Earring cover
-Thanks to McL once again for the guest list spot and to Umphrey's McGee for continuing to support the initiatives of tapers more than any touring band in the business. Go see them live, buy their music, bring a friend
Seeded to etree on:
02/27/2014
Thursday, February 27, 2014
[BT/LMA] Grateful Dead 03/11/92 Nassau Coliseum, Uniondale, NY Sony condenser>cas FOB incomplete *16 bit 44.1 khz and 24 bit 48khz* (new source to circulation)
http://bt.etree.org/details.php?id=570787
https://archive.org/details/gd1992-03-11.127220.sony.aud.flac16
Grateful Dead
03/11/1992
Nassau Coliseum
Uniondale, NY
**16 bit/44.1khz**
Source: Sony condenser mics (2 channel) > Sony WM cassette deck
Config/Location: 20' from Garcia/in the hat FOB 7th and 3rd row center
Transfer: (master cassette) Nakamichi DR-1>Sound Devices 722 (24/48)>
Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>
WavEditor 1.5.7 (iZotope Resampler, MBIT+ Dither)>
xACT 2.25(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )
Taped by: Scott M.
Transferred and seeded by: Lenny Stubbe
Set I: (57:59)
01. intro
02. Cold Rain and Snow
03. Wang Dang Doodle
04. Dire Wolf
05. Queen Jane
06. Althea
07. All Over Now
08. So Many Roads
09. Picasso Moon
Set II: (30:07)
01. China Cat Sunflower>
02. I Know You Rider
03. Playin in the Band>
04. Terrapin Station//
Notes:
- Thanks to Scotty for this way up front effort and for his many recording efforts and community contributions over the years. Glad to be able to preserve this fun recording.
Notes from the taper:
I had always loved recording things, taking pix, and pretty much archiving history when I could.
I knew some tapers at the shows, but had no interest in buying all that stuff and setting up, etc
I was 20ish years old and really didn't want to get involved with the taping aspect - plus there were PLENTY of tapers at the shows.
My buddy Seth had this great Sony recording walkman - so I borrowed it on a couple of occasions, picked up some little mic on a wire and taped a couple of shows. The other shows I taped with this ghetto-style setup were 9/10/91 MSG w Branford, which you will never hear for that is brutal, and two Phish shows - 5/3/93 and Summer 93 at Jones Beach
I had a 7th row center ticket the year before at Nassau -for 3/28/91 - the night of the Terrapin encore- which, because Jerry and the gang finished the 2 sets rather early, they threw us a bone and encored with Terrapin.
I took this stub with me to this night - 3/11/92 at Nassau, thinking ok - ill just get into the show with my regular ticket, and weasel up to the front by
showing ushers the stub from LAST YEAR.
This ploy worked - and here I was dead center with the mics in the hat in the 7th row.
Before Wang-Dang could get rolling, ushers were booting people from the row if they had no ticket. The people w the real tix came, but I had a friend in Row 3, so I went up there as Wang Dang got underway, as u can hear on the tape.
I put myself in the 3rd row, pointed the mics as up and outwards as possible, and this is the result. So everything after Cold Rain is from the 3rd row in front of Jerry.
I never thought this cassette would wind up anywhere but in a box in my apartment- to listen to for fun, and keep a lil piece of GD history that I recorded.
But now it is here - its not SO bad - its close - and Lenny did a great job doing whatever he did to it to keep its integrity somewhat intact.
Very close though - can't hear much distance in the recording.
What you CAN hear though, are some quick conversations - the nice girl from North Carolina asking me what song is what every coupla tunes - her telling me shed love to hear Scarlet>Fire, and the like. You can even hear her ask me if our voices will be recorded on this, and I reply Yes. Shouts of 'Bobby' can be heard as well. And, as Bobby tells us 'well be back in just a lil bit' after fackin Picasso, you can hear me mutter 'oh nooo'.
Hear her friend ask me for kind bud at some point. And, as we all used to do, calling songs before they started, I told this guy to get ready for Dire Wolf, and seconds later Jerry fired off the first few notes of Dire Wolf. When I heard all this the other night after Lenny sent it to me, I said 'Oh snap man I didn't know all this talk was on it!' But it is. And, as Bobby tells us 'well be back in just a lil bit' after fackin Picasso, you can hear me mutter 'oh nooo'. And thats the way it is. It is listenable, thats for sure. A lot of it is quite clear, as I did my best to have my chin up so the mics could catch the waves of music. Far from a pro recording though. But does give you the feel for what it sounded like up front at a GD show..
The recording ends at drums- and this is why - as Drums got underway, I left the front, and went to visit my buddies in the back corner of the floor section, Jerry's side. Upon my return, one usher was very proficient in his flashlighting of a stub, and read my ticket, and flew off the handle. He said "What??? This is a ticket from LAST YEAR!" I said, yup, but heres my regular one, and I was kinda baby faced and tried to talk my way out of it- how I just wanted to go close-up. He wasn't falling for it, grabbed my arm and said 'lets go'. I said I have to get my coat from where my friends were situated. He took me there, I got my coat, my pals were like 'whoaaaa' - I told em I'd see em at the car. Anyway, the guy takes me out into the hallway of the arena, and then to the doors where he escorted me out - the only ejection of my life - so I got to listen to Last Time>Peter>Around outside the glass doors of the Coliseum.
-Scott
Seeded to etree on:
02/27/2014
http://bt.etree.org/details.php?id=570786
https://archive.org/details/gd1992-03-11.127219.sony.aud.flac24
Grateful Dead
03/11/1992
Nassau Coliseum
Uniondale, NY
**24 bit/48 khz**
Source: Sony condenser mics (2 channel) > Sony WM cassette deck
Config/Location: 20' from Garcia/in the hat FOB 7th and 3rd row center
Transfer: (master cassette) Nakamichi DR-1>Sound Devices 722 (24/48)>
Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.25(encode, tag, fingerprint)>flac16 (level 8 )
Taped by: Scott M.
Transferred and seeded by: Lenny Stubbe
Set I: (57:59)
01. intro
02. Cold Rain and Snow
03. Wang Dang Doodle
04. Dire Wolf
05. Queen Jane
06. Althea
07. All Over Now
08. So Many Roads
09. Picasso Moon
Set II: (30:07)
01. China Cat Sunflower>
02. I Know You Rider
03. Playin in the Band>
04. Terrapin Station//
Notes:
- Thanks to Scotty for this way up front effort and for his many recording efforts and community contributions over the years. Glad to be able to preserve this fun recording.
Notes from the taper:
I had always loved recording things, taking pix, and pretty much archiving history when I could.
I knew some tapers at the shows, but had no interest in buying all that stuff and setting up, etc
I was 20ish years old and really didn't want to get involved with the taping aspect - plus there were PLENTY of tapers at the shows.
My buddy Seth had this great Sony recording walkman - so I borrowed it on a couple of occasions, picked up some little mic on a wire and taped a couple of shows. The other shows I taped with this ghetto-style setup were 9/10/91 MSG w Branford, which you will never hear for that is brutal, and two Phish shows - 5/3/93 and Summer 93 at Jones Beach
I had a 7th row center ticket the year before at Nassau -for 3/28/91 - the night of the Terrapin encore- which, because Jerry and the gang finished the 2 sets rather early, they threw us a bone and encored with Terrapin.
I took this stub with me to this night - 3/11/92 at Nassau, thinking ok - ill just get into the show with my regular ticket, and weasel up to the front by
showing ushers the stub from LAST YEAR.
This ploy worked - and here I was dead center with the mics in the hat in the 7th row.
Before Wang-Dang could get rolling, ushers were booting people from the row if they had no ticket. The people w the real tix came, but I had a friend in Row 3, so I went up there as Wang Dang got underway, as u can hear on the tape.
I put myself in the 3rd row, pointed the mics as up and outwards as possible, and this is the result. So everything after Cold Rain is from the 3rd row in front of Jerry.
I never thought this cassette would wind up anywhere but in a box in my apartment- to listen to for fun, and keep a lil piece of GD history that I recorded.
But now it is here - its not SO bad - its close - and Lenny did a great job doing whatever he did to it to keep its integrity somewhat intact.
Very close though - can't hear much distance in the recording.
What you CAN hear though, are some quick conversations - the nice girl from North Carolina asking me what song is what every coupla tunes - her telling me shed love to hear Scarlet>Fire, and the like. You can even hear her ask me if our voices will be recorded on this, and I reply Yes. Shouts of 'Bobby' can be heard as well. And, as Bobby tells us 'well be back in just a lil bit' after fackin Picasso, you can hear me mutter 'oh nooo'.
Hear her friend ask me for kind bud at some point. And, as we all used to do, calling songs before they started, I told this guy to get ready for Dire Wolf, and seconds later Jerry fired off the first few notes of Dire Wolf. When I heard all this the other night after Lenny sent it to me, I said 'Oh snap man I didn't know all this talk was on it!' But it is. And, as Bobby tells us 'well be back in just a lil bit' after fackin Picasso, you can hear me mutter 'oh nooo'. And thats the way it is. It is listenable, thats for sure. A lot of it is quite clear, as I did my best to have my chin up so the mics could catch the waves of music. Far from a pro recording though. But does give you the feel for what it sounded like up front at a GD show..
The recording ends at drums- and this is why - as Drums got underway, I left the front, and went to visit my buddies in the back corner of the floor section, Jerry's side. Upon my return, one usher was very proficient in his flashlighting of a stub, and read my ticket, and flew off the handle. He said "What??? This is a ticket from LAST YEAR!" I said, yup, but heres my regular one, and I was kinda baby faced and tried to talk my way out of it- how I just wanted to go close-up. He wasn't falling for it, grabbed my arm and said 'lets go'. I said I have to get my coat from where my friends were situated. He took me there, I got my coat, my pals were like 'whoaaaa' - I told em I'd see em at the car. Anyway, the guy takes me out into the hallway of the arena, and then to the doors where he escorted me out - the only ejection of my life - so I got to listen to Last Time>Peter>Around outside the glass doors of the Coliseum.
-Scott
Seeded to etree on:
02/27/2014
https://archive.org/details/gd1992-03-11.127220.sony.aud.flac16
Grateful Dead
03/11/1992
Nassau Coliseum
Uniondale, NY
**16 bit/44.1khz**
Source: Sony condenser mics (2 channel) > Sony WM cassette deck
Config/Location: 20' from Garcia/in the hat FOB 7th and 3rd row center
Transfer: (master cassette) Nakamichi DR-1>Sound Devices 722 (24/48)>
Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>
WavEditor 1.5.7 (iZotope Resampler, MBIT+ Dither)>
xACT 2.25(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )
Taped by: Scott M.
Transferred and seeded by: Lenny Stubbe
Set I: (57:59)
01. intro
02. Cold Rain and Snow
03. Wang Dang Doodle
04. Dire Wolf
05. Queen Jane
06. Althea
07. All Over Now
08. So Many Roads
09. Picasso Moon
Set II: (30:07)
01. China Cat Sunflower>
02. I Know You Rider
03. Playin in the Band>
04. Terrapin Station//
Notes:
- Thanks to Scotty for this way up front effort and for his many recording efforts and community contributions over the years. Glad to be able to preserve this fun recording.
Notes from the taper:
I had always loved recording things, taking pix, and pretty much archiving history when I could.
I knew some tapers at the shows, but had no interest in buying all that stuff and setting up, etc
I was 20ish years old and really didn't want to get involved with the taping aspect - plus there were PLENTY of tapers at the shows.
My buddy Seth had this great Sony recording walkman - so I borrowed it on a couple of occasions, picked up some little mic on a wire and taped a couple of shows. The other shows I taped with this ghetto-style setup were 9/10/91 MSG w Branford, which you will never hear for that is brutal, and two Phish shows - 5/3/93 and Summer 93 at Jones Beach
I had a 7th row center ticket the year before at Nassau -for 3/28/91 - the night of the Terrapin encore- which, because Jerry and the gang finished the 2 sets rather early, they threw us a bone and encored with Terrapin.
I took this stub with me to this night - 3/11/92 at Nassau, thinking ok - ill just get into the show with my regular ticket, and weasel up to the front by
showing ushers the stub from LAST YEAR.
This ploy worked - and here I was dead center with the mics in the hat in the 7th row.
Before Wang-Dang could get rolling, ushers were booting people from the row if they had no ticket. The people w the real tix came, but I had a friend in Row 3, so I went up there as Wang Dang got underway, as u can hear on the tape.
I put myself in the 3rd row, pointed the mics as up and outwards as possible, and this is the result. So everything after Cold Rain is from the 3rd row in front of Jerry.
I never thought this cassette would wind up anywhere but in a box in my apartment- to listen to for fun, and keep a lil piece of GD history that I recorded.
But now it is here - its not SO bad - its close - and Lenny did a great job doing whatever he did to it to keep its integrity somewhat intact.
Very close though - can't hear much distance in the recording.
What you CAN hear though, are some quick conversations - the nice girl from North Carolina asking me what song is what every coupla tunes - her telling me shed love to hear Scarlet>Fire, and the like. You can even hear her ask me if our voices will be recorded on this, and I reply Yes. Shouts of 'Bobby' can be heard as well. And, as Bobby tells us 'well be back in just a lil bit' after fackin Picasso, you can hear me mutter 'oh nooo'.
Hear her friend ask me for kind bud at some point. And, as we all used to do, calling songs before they started, I told this guy to get ready for Dire Wolf, and seconds later Jerry fired off the first few notes of Dire Wolf. When I heard all this the other night after Lenny sent it to me, I said 'Oh snap man I didn't know all this talk was on it!' But it is. And, as Bobby tells us 'well be back in just a lil bit' after fackin Picasso, you can hear me mutter 'oh nooo'. And thats the way it is. It is listenable, thats for sure. A lot of it is quite clear, as I did my best to have my chin up so the mics could catch the waves of music. Far from a pro recording though. But does give you the feel for what it sounded like up front at a GD show..
The recording ends at drums- and this is why - as Drums got underway, I left the front, and went to visit my buddies in the back corner of the floor section, Jerry's side. Upon my return, one usher was very proficient in his flashlighting of a stub, and read my ticket, and flew off the handle. He said "What??? This is a ticket from LAST YEAR!" I said, yup, but heres my regular one, and I was kinda baby faced and tried to talk my way out of it- how I just wanted to go close-up. He wasn't falling for it, grabbed my arm and said 'lets go'. I said I have to get my coat from where my friends were situated. He took me there, I got my coat, my pals were like 'whoaaaa' - I told em I'd see em at the car. Anyway, the guy takes me out into the hallway of the arena, and then to the doors where he escorted me out - the only ejection of my life - so I got to listen to Last Time>Peter>Around outside the glass doors of the Coliseum.
-Scott
Seeded to etree on:
02/27/2014
http://bt.etree.org/details.php?id=570786
https://archive.org/details/gd1992-03-11.127219.sony.aud.flac24
Grateful Dead
03/11/1992
Nassau Coliseum
Uniondale, NY
**24 bit/48 khz**
Source: Sony condenser mics (2 channel) > Sony WM cassette deck
Config/Location: 20' from Garcia/in the hat FOB 7th and 3rd row center
Transfer: (master cassette) Nakamichi DR-1>Sound Devices 722 (24/48)>
Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.25(encode, tag, fingerprint)>flac16 (level 8 )
Taped by: Scott M.
Transferred and seeded by: Lenny Stubbe
Set I: (57:59)
01. intro
02. Cold Rain and Snow
03. Wang Dang Doodle
04. Dire Wolf
05. Queen Jane
06. Althea
07. All Over Now
08. So Many Roads
09. Picasso Moon
Set II: (30:07)
01. China Cat Sunflower>
02. I Know You Rider
03. Playin in the Band>
04. Terrapin Station//
Notes:
- Thanks to Scotty for this way up front effort and for his many recording efforts and community contributions over the years. Glad to be able to preserve this fun recording.
Notes from the taper:
I had always loved recording things, taking pix, and pretty much archiving history when I could.
I knew some tapers at the shows, but had no interest in buying all that stuff and setting up, etc
I was 20ish years old and really didn't want to get involved with the taping aspect - plus there were PLENTY of tapers at the shows.
My buddy Seth had this great Sony recording walkman - so I borrowed it on a couple of occasions, picked up some little mic on a wire and taped a couple of shows. The other shows I taped with this ghetto-style setup were 9/10/91 MSG w Branford, which you will never hear for that is brutal, and two Phish shows - 5/3/93 and Summer 93 at Jones Beach
I had a 7th row center ticket the year before at Nassau -for 3/28/91 - the night of the Terrapin encore- which, because Jerry and the gang finished the 2 sets rather early, they threw us a bone and encored with Terrapin.
I took this stub with me to this night - 3/11/92 at Nassau, thinking ok - ill just get into the show with my regular ticket, and weasel up to the front by
showing ushers the stub from LAST YEAR.
This ploy worked - and here I was dead center with the mics in the hat in the 7th row.
Before Wang-Dang could get rolling, ushers were booting people from the row if they had no ticket. The people w the real tix came, but I had a friend in Row 3, so I went up there as Wang Dang got underway, as u can hear on the tape.
I put myself in the 3rd row, pointed the mics as up and outwards as possible, and this is the result. So everything after Cold Rain is from the 3rd row in front of Jerry.
I never thought this cassette would wind up anywhere but in a box in my apartment- to listen to for fun, and keep a lil piece of GD history that I recorded.
But now it is here - its not SO bad - its close - and Lenny did a great job doing whatever he did to it to keep its integrity somewhat intact.
Very close though - can't hear much distance in the recording.
What you CAN hear though, are some quick conversations - the nice girl from North Carolina asking me what song is what every coupla tunes - her telling me shed love to hear Scarlet>Fire, and the like. You can even hear her ask me if our voices will be recorded on this, and I reply Yes. Shouts of 'Bobby' can be heard as well. And, as Bobby tells us 'well be back in just a lil bit' after fackin Picasso, you can hear me mutter 'oh nooo'.
Hear her friend ask me for kind bud at some point. And, as we all used to do, calling songs before they started, I told this guy to get ready for Dire Wolf, and seconds later Jerry fired off the first few notes of Dire Wolf. When I heard all this the other night after Lenny sent it to me, I said 'Oh snap man I didn't know all this talk was on it!' But it is. And, as Bobby tells us 'well be back in just a lil bit' after fackin Picasso, you can hear me mutter 'oh nooo'. And thats the way it is. It is listenable, thats for sure. A lot of it is quite clear, as I did my best to have my chin up so the mics could catch the waves of music. Far from a pro recording though. But does give you the feel for what it sounded like up front at a GD show..
The recording ends at drums- and this is why - as Drums got underway, I left the front, and went to visit my buddies in the back corner of the floor section, Jerry's side. Upon my return, one usher was very proficient in his flashlighting of a stub, and read my ticket, and flew off the handle. He said "What??? This is a ticket from LAST YEAR!" I said, yup, but heres my regular one, and I was kinda baby faced and tried to talk my way out of it- how I just wanted to go close-up. He wasn't falling for it, grabbed my arm and said 'lets go'. I said I have to get my coat from where my friends were situated. He took me there, I got my coat, my pals were like 'whoaaaa' - I told em I'd see em at the car. Anyway, the guy takes me out into the hallway of the arena, and then to the doors where he escorted me out - the only ejection of my life - so I got to listen to Last Time>Peter>Around outside the glass doors of the Coliseum.
-Scott
Seeded to etree on:
02/27/2014
Saturday, February 8, 2014
[BT] Phish 08/03/97 The Gorge Amphitheatre, George, WA Schoeps MK21+MK8 M/S>Sonosax *16 bit 44.1 & 48 khz* (new dat source)
http://bt.etree.org/details.php?id=570289
Phish
08/03/1997
The Gorge Amphitheatre
George, WA
**16 bit/44.1khz**
Source: Schoeps CMC6/mk21 (mid/left) + Schoeps CMC6/mk8 (side/right) > Sonosax SX-M2 > Sony SBM-1 > Sony TCD-D8 @48kHz (raw M/S)
Location: OTS
Matrix: Sony PCM-2600 (XLR analog out) > AEA MS38 MKII (m/s processor) > (XLR analog in) > Sony PCM-2600
Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>
Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>
Wave Editor 1.5.7 (iZotope Resampler)>
xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )
Taped, transferred and matrix by: Craig Hillwig
Transferred, processed and seeded by: Lenny Stubbe
Set I: (1:27:18)
01. intro
02. Bathtub Gin>
03. Foam
04. Samson Variation
05. Dirt
06. Vultures
07. My Mind's Got a Mind of its Own
08. Twist>
09. Jesus Left Chicago
10. Limb By Limb
11. Character Zero
Set II: (1:27:12)
01. intro
02. Julius>
03. Simple>
04. Fluffhead>
05. Lifeboy
06. Taste
07. Hello My Baby
08. Frankenstein
09. encore break
10. Bouncing Around the Room
11. Slave to the Traffic Light
Notes:
- This seed is of the analog M/S matrix. The previous etree seed was done from a digital matrix
- 48 khz version exists
Seeded to etree on:
02/09/2014
http://bt.etree.org/details.php?id=570290
Phish
08/03/1997
The Gorge Amphitheatre
George, WA
**16 bit/48khz**
Source: Schoeps CMC6/mk21 (mid/left) + Schoeps CMC6/mk8 (side/right) > Sonosax SX-M2 > Sony SBM-1 > Sony TCD-D8 @48kHz (raw M/S)
Location: OTS
Matrix: Sony PCM-2600 (XLR analog out) > AEA MS38 MKII (m/s processor) > (XLR analog in) > Sony PCM-2600
Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>
Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>
xACT 2.23(encode, tag, fingerprint)>flac16 (level 8 )
Taped, transferred and matrix by: Craig Hillwig
Transferred, processed and seeded by: Lenny Stubbe
Set I: (1:27:18)
01. intro
02. Bathtub Gin>
03. Foam
04. Samson Variation
05. Dirt
06. Vultures
07. My Mind's Got a Mind of its Own
08. Twist>
09. Jesus Left Chicago
10. Limb By Limb
11. Character Zero
Set II: (1:27:12)
01. intro
02. Julius>
03. Simple>
04. Fluffhead
05. Lifeboy>
06. Taste
07. Hello My Baby
08. Frankenstein
09. encore break
10. Bouncing Around the Room
11. Slave to the Traffic Light
Notes:
- This seed is of the analog M/S matrix. The previous etree seed was done from a digital matrix
- 44.1 khz version exists
Seeded to etree on:
02/09/2014
Phish
08/03/1997
The Gorge Amphitheatre
George, WA
**16 bit/44.1khz**
Source: Schoeps CMC6/mk21 (mid/left) + Schoeps CMC6/mk8 (side/right) > Sonosax SX-M2 > Sony SBM-1 > Sony TCD-D8 @48kHz (raw M/S)
Location: OTS
Matrix: Sony PCM-2600 (XLR analog out) > AEA MS38 MKII (m/s processor) > (XLR analog in) > Sony PCM-2600
Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>
Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>
Wave Editor 1.5.7 (iZotope Resampler)>
xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )
Taped, transferred and matrix by: Craig Hillwig
Transferred, processed and seeded by: Lenny Stubbe
Set I: (1:27:18)
01. intro
02. Bathtub Gin>
03. Foam
04. Samson Variation
05. Dirt
06. Vultures
07. My Mind's Got a Mind of its Own
08. Twist>
09. Jesus Left Chicago
10. Limb By Limb
11. Character Zero
Set II: (1:27:12)
01. intro
02. Julius>
03. Simple>
04. Fluffhead>
05. Lifeboy
06. Taste
07. Hello My Baby
08. Frankenstein
09. encore break
10. Bouncing Around the Room
11. Slave to the Traffic Light
Notes:
- This seed is of the analog M/S matrix. The previous etree seed was done from a digital matrix
- 48 khz version exists
Seeded to etree on:
02/09/2014
http://bt.etree.org/details.php?id=570290
Phish
08/03/1997
The Gorge Amphitheatre
George, WA
**16 bit/48khz**
Source: Schoeps CMC6/mk21 (mid/left) + Schoeps CMC6/mk8 (side/right) > Sonosax SX-M2 > Sony SBM-1 > Sony TCD-D8 @48kHz (raw M/S)
Location: OTS
Matrix: Sony PCM-2600 (XLR analog out) > AEA MS38 MKII (m/s processor) > (XLR analog in) > Sony PCM-2600
Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>
Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>
xACT 2.23(encode, tag, fingerprint)>flac16 (level 8 )
Taped, transferred and matrix by: Craig Hillwig
Transferred, processed and seeded by: Lenny Stubbe
Set I: (1:27:18)
01. intro
02. Bathtub Gin>
03. Foam
04. Samson Variation
05. Dirt
06. Vultures
07. My Mind's Got a Mind of its Own
08. Twist>
09. Jesus Left Chicago
10. Limb By Limb
11. Character Zero
Set II: (1:27:12)
01. intro
02. Julius>
03. Simple>
04. Fluffhead
05. Lifeboy>
06. Taste
07. Hello My Baby
08. Frankenstein
09. encore break
10. Bouncing Around the Room
11. Slave to the Traffic Light
Notes:
- This seed is of the analog M/S matrix. The previous etree seed was done from a digital matrix
- 44.1 khz version exists
Seeded to etree on:
02/09/2014
Wednesday, February 5, 2014
[BT] Phish 08/24/93 Commodore Ballroom, Vancouver, British Columbia, Canada incomplete AKG 451 *16 bit 44.1 & 48 khz* (first aud to circulate on etree)
http://bt.etree.org/details.php?id=570214
Phish
08/24/1993
Commodore Ballroom
Vancouver, British Columbia, Canada
**16 bit/44.1khz**
Source: AKG 451 > DAT (48 khz)
Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>
Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>
Wave Editor 1.5.7 (iZotope Resampler)>
xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )
Taped by: unknown
DAT clone (unknown gen) provided by: Marcus Thunich
Transferred and seeded by: Lenny Stubbe
Set I (incomplete): (48:07)
01. intro
02. Chaldust Torture>
03. All Things Reconsidered
04. Bouncing Around the Room>
05. It's Ice>
06. Nellie Kane
07. Split Open and Melt
08. The Horse>
09. Silent in the Morning
10. Uncle Pen//
Maze (missing)
Golgi Apparatus (missing)
Set II (incomplete): (46:11)
01. Llama
02. Horn
03. Yamar
04. Mike's Song
05. Ginseng Sullivan
06. Weekapaug Groove>
07. Wilson//
Rift (missing)
Suzy Greenberg (missing)
HYHU>Cracklin Rosie>HYHU (missing)
Antelope (missing)
Halley's Comet (missing)
Poor Heart (missing
Sweet Adeline (missing)
Notes:
- Trey on acoustic for The Horse
- Uncle Pen cuts out and is incomplete
- Yamar includes alternate lyrics by Mike
- Ginseng Sullivan features Trey on acoustic, Mike on upright bass and Fish on Madonna washboard
- Weekapaug Groove is unfinished
- Wilson cuts out and is incomplete
- This is the first ever audience recording to circulate on etree as of the circulation date. I am hopeful to someday get ahold of the complete audience recording
- 48 khz version exists
Seeded to etree on:
02/06/2014
Phish
08/24/1993
Commodore Ballroom
Vancouver, British Columbia, Canada
**16 bit/48khz**
Source: AKG 451 > DAT (48 khz)
Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>
Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>
xACT 2.23(encode, tag, fingerprint)>flac16 (level 8 )
Taped by: unknown
Taped by: unknown
DAT clone (unknown gen) provided by: Marcus Thunich
Transferred and seeded by: Lenny Stubbe
Set I (incomplete): (48:07)
01. intro
02. Chaldust Torture>
03. All Things Reconsidered
04. Bouncing Around the Room>
05. It's Ice>
06. Nellie Kane
07. Split Open and Melt
08. The Horse>
09. Silent in the Morning
10. Uncle Pen//
Maze (missing)
Golgi Apparatus (missing)
Set II (incomplete): (46:11)
01. Llama
02. Horn
03. Yamar
04. Mike's Song
05. Ginseng Sullivan
06. Weekapaug Groove>
07. Wilson//
Rift (missing)
Suzy Greenberg (missing)
HYHU>Cracklin Rosie>HYHU (missing)
Antelope (missing)
Halley's Comet (missing)
Poor Heart (missing
Sweet Adeline (missing)
Notes:
- Trey on acoustic for The Horse
- Uncle Pen cuts out and is incomplete
- Yamar includes alternate lyrics by Mike
- Ginseng Sullivan features Trey on acoustic, Mike on upright bass and Fish on Madonna washboard
- Weekapaug Groove is unfinished
- Wilson cuts out and is incomplete
- This is the first ever audience recording to circulate on etree as of the circulation date. I am hopeful to someday get ahold of the complete audience recording
- 44.1 khz version exists
Seeded to etree on:
02/06/2014
Sunday, February 2, 2014
[BT] Phish 07/18/99 Oswego County Airport, Volney, NY Schoeps MK2S>AD1K *16 bit/44.1 khz (new processing)
http://bt.etree.org/details.php?id=570118
Phish
07/18/1999
Oswego County Airport
Volney, NY
**16 bit/44.1khz**
Source: Schoeps CMBi/MK2S > Apogee AD-1000 (44.1khz)
Config/Location: 15" spread 130 degrees/FOB
Original transfer: Master DAT > Soundforge (EQ low end) > DAT
Transfer and processing: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)>
Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>
>
xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )
Taped and EQ provided by: Dr. Stan Lobitz
Clone 1 provided by: Craig Hillwig
Transferred and seeded by: Lenny Stubbe
Set I: (1:41:56)
01. Punch You In the Eye
02. Farmhouse
03. Water in the Sky>
04. Bathtub Gin
05. Back on the Train
06. If You Need a Fool
07. Blue and Lonesome
08. "Bluegrass Duet"
09. Beauty of My Dreams
10. Moma Dance>
11. Reba
12. Chalkdust Torture
Set II: (1:06:24)
01. Runaway Jim>
02. Free>
03. Meatstick
04. Guyute
05. Axilla>
06. Llama
Set III: (1:48:28)
01. intro
02. My Soul>
03. Piper>
04. Prince Caspian>
05. Wilson>
06. Catapult>
07. Smoke on the Water jam>
08. Icculus
09. Mighty Quinn>
10. Fluffhead
11. Harry Hood
Notes:
- Back on the Train through Beauty of My Dreams w/Del McCoury Band
- Bluegrass Duet is a short jam during a string change
- Runaway Jim includes Super Bad teases from Trey
- Prince Caspian was unfinished
- Smoke on the Water jam includes Cat Scratch Fever teases
- Narration from Catapult through Icculus featured Trey rambling about the negative aspects of television and the positive aspects of books. Also includes a Miss You tease
- Harry Hood was accompanied by fireworks
- During Meatstick, the crowd tried to break the world record for most people dancing at one time. Included Sofi Dillof leading the dance onstage and Guinness staff videotaping the crowd
- Thanks to the pholks at Phish.net for the setlist details
- first couple minutes of PYITE levels were run very conservatively. Brought up some to blend in with the gain adjustment
Tech note: Dr. Stan processed his Master DAT in Soundforge to address the severe overpowering low end issue found on other transfers and sources of this show. Unconfirmed, but this is likely the first time this source with the low end addressed by Stan has been circulated on etree.
Seeded to etree on:
02/02/2014
Phish
07/18/1999
Oswego County Airport
Volney, NY
**16 bit/44.1khz**
Source: Schoeps CMBi/MK2S > Apogee AD-1000 (44.1khz)
Config/Location: 15" spread 130 degrees/FOB
Original transfer: Master DAT > Soundforge (EQ low end) > DAT
Transfer and processing: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)>
Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>
>
xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )
Taped and EQ provided by: Dr. Stan Lobitz
Clone 1 provided by: Craig Hillwig
Transferred and seeded by: Lenny Stubbe
Set I: (1:41:56)
01. Punch You In the Eye
02. Farmhouse
03. Water in the Sky>
04. Bathtub Gin
05. Back on the Train
06. If You Need a Fool
07. Blue and Lonesome
08. "Bluegrass Duet"
09. Beauty of My Dreams
10. Moma Dance>
11. Reba
12. Chalkdust Torture
Set II: (1:06:24)
01. Runaway Jim>
02. Free>
03. Meatstick
04. Guyute
05. Axilla>
06. Llama
Set III: (1:48:28)
01. intro
02. My Soul>
03. Piper>
04. Prince Caspian>
05. Wilson>
06. Catapult>
07. Smoke on the Water jam>
08. Icculus
09. Mighty Quinn>
10. Fluffhead
11. Harry Hood
Notes:
- Back on the Train through Beauty of My Dreams w/Del McCoury Band
- Bluegrass Duet is a short jam during a string change
- Runaway Jim includes Super Bad teases from Trey
- Prince Caspian was unfinished
- Smoke on the Water jam includes Cat Scratch Fever teases
- Narration from Catapult through Icculus featured Trey rambling about the negative aspects of television and the positive aspects of books. Also includes a Miss You tease
- Harry Hood was accompanied by fireworks
- During Meatstick, the crowd tried to break the world record for most people dancing at one time. Included Sofi Dillof leading the dance onstage and Guinness staff videotaping the crowd
- Thanks to the pholks at Phish.net for the setlist details
- first couple minutes of PYITE levels were run very conservatively. Brought up some to blend in with the gain adjustment
Tech note: Dr. Stan processed his Master DAT in Soundforge to address the severe overpowering low end issue found on other transfers and sources of this show. Unconfirmed, but this is likely the first time this source with the low end addressed by Stan has been circulated on etree.
Seeded to etree on:
02/02/2014
[BT/LMA] Matisyahu 12/02/13 Town Ballroom, Buffalo, NY DPA 4023>PSP-2>722 *16 & 24 bit*
http://bt.etree.org/details.php?id=570095
https://archive.org/details/matisyahu2013-12-02.dpa.4023.flac16
Matisyahu
12/02/2013
Town Ballroom
Buffalo, NY
**16 bit**
Source: DPA 4023>EAA PSP-2>Sound Devices 722 (24/96)
Config/Location: DIN/OTS/DFC 8' stand on elevated floor behind sbd extended over FOH
Transfer: 722>Firewire>Macbook>
Sound Studio 3.6(fades, normalize peak, +gain, track)>
Wave Editor 1.5.7 (iZotope Resampler/MBIT+ Dither)>
xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )
Taped and Transferred by: Lenny Stubbe
Set I: (1:40:12)
01. Sea to Sea > Real Wicked Ways
02. Happy Hannukah
03. Exaltation>
04. Close My Eyes
05. Live Like A Warrior
06. Indestructible
07. Sunshine
08. King Without A Crown
09. "freestyle rap and beatbox">
10. Crossroads
11. Youth>
12. Akeda
13. I Believe in Love
14. Shine on You
15. One Day
Notes:
- freestyle rap is with Kosher Dills
- Crossroads was performed acoustic
- Shine on You, Miracle and One Day with very special guest Daniel Zamir on Saxophone
- Thanks to Lieb for the guest list spot and to Matisyahu for supporting tapers. Go see his shows, bring a friend, buy his music
- Kosher Dills opened
Seeded to etree on:
02/01/2014
https://archive.org/details/matisyahu2013-12-02.dpa.4023.flac24
Matisyahu
12/02/2013
Town Ballroom
Buffalo, NY
**24 bit**
Source: DPA 4023>EAA PSP-2>Sound Devices 722 (24/96)
Config/Location: DIN/OTS/DFC 8' stand on elevated floor behind sbd extended over FOH
Transfer: 722>Firewire>Macbook>
Sound Studio 3.6(fades, normalize peak, +gain, track)>
xACT 2.15(encode, tag, fingerprint)>flac24 (level 8 )
Taped and Transferred by: Lenny Stubbe
Set I: (1:40:12)
01. Sea to Sea > Real Wicked Ways
02. Happy Hannukah
03. Exaltation>
04. Close My Eyes
05. Live Like A Warrior
06. Indestructible
07. Sunshine
08. King Without A Crown
09. "freestyle rap and beatbox">
10. Crossroads
11. Youth>
12. Akeda
13. I Believe in Love
14. Shine on You
15. One Day
Notes:
- freestyle rap is with Kosher Dills
- Crossroads was performed acoustic
- Shine on You, Miracle and One Day with very special guest Daniel Zamir on Saxophone
- Thanks to Lieb for the guest list spot and to Matisyahu for supporting tapers. Go see his shows, bring a friend, buy his music
- Kosher Dills opened
Seeded to etree on:
02/01/2014
https://archive.org/details/matisyahu2013-12-02.dpa.4023.flac16
Matisyahu
12/02/2013
Town Ballroom
Buffalo, NY
**16 bit**
Source: DPA 4023>EAA PSP-2>Sound Devices 722 (24/96)
Config/Location: DIN/OTS/DFC 8' stand on elevated floor behind sbd extended over FOH
Transfer: 722>Firewire>Macbook>
Sound Studio 3.6(fades, normalize peak, +gain, track)>
Wave Editor 1.5.7 (iZotope Resampler/MBIT+ Dither)>
xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )
Taped and Transferred by: Lenny Stubbe
Set I: (1:40:12)
01. Sea to Sea > Real Wicked Ways
02. Happy Hannukah
03. Exaltation>
04. Close My Eyes
05. Live Like A Warrior
06. Indestructible
07. Sunshine
08. King Without A Crown
09. "freestyle rap and beatbox">
10. Crossroads
11. Youth>
12. Akeda
13. I Believe in Love
14. Shine on You
15. One Day
Notes:
- freestyle rap is with Kosher Dills
- Crossroads was performed acoustic
- Shine on You, Miracle and One Day with very special guest Daniel Zamir on Saxophone
- Thanks to Lieb for the guest list spot and to Matisyahu for supporting tapers. Go see his shows, bring a friend, buy his music
- Kosher Dills opened
Seeded to etree on:
02/01/2014
https://archive.org/details/matisyahu2013-12-02.dpa.4023.flac24
Matisyahu
12/02/2013
Town Ballroom
Buffalo, NY
**24 bit**
Source: DPA 4023>EAA PSP-2>Sound Devices 722 (24/96)
Config/Location: DIN/OTS/DFC 8' stand on elevated floor behind sbd extended over FOH
Transfer: 722>Firewire>Macbook>
Sound Studio 3.6(fades, normalize peak, +gain, track)>
xACT 2.15(encode, tag, fingerprint)>flac24 (level 8 )
Taped and Transferred by: Lenny Stubbe
Set I: (1:40:12)
01. Sea to Sea > Real Wicked Ways
02. Happy Hannukah
03. Exaltation>
04. Close My Eyes
05. Live Like A Warrior
06. Indestructible
07. Sunshine
08. King Without A Crown
09. "freestyle rap and beatbox">
10. Crossroads
11. Youth>
12. Akeda
13. I Believe in Love
14. Shine on You
15. One Day
Notes:
- freestyle rap is with Kosher Dills
- Crossroads was performed acoustic
- Shine on You, Miracle and One Day with very special guest Daniel Zamir on Saxophone
- Thanks to Lieb for the guest list spot and to Matisyahu for supporting tapers. Go see his shows, bring a friend, buy his music
- Kosher Dills opened
Seeded to etree on:
02/01/2014
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